by Pedro Firmino
In this article, we will give you an alternative way of recording and coloring your guitar tone using the ZYLIA ZM-1 microphone by taking advantage of multiple channel recording.
Please, remember that these are suggestions based on our own experience and might not be suitable for your specific situation. While trying our methods, make sure to listen and adapt to your instrument, environment, and musician.
When miking a guitar it’s important to understand that this instrument is not designed to be experienced at close distances making it more challenging to find a balanced positioning for recording, especially if you plan to use the ZM-1 to obtain several channels for posterior mixing. After all, it’s one of the ZM-1 strengths.
Here we will guide you to make the most out of the ZM-1 recording abilities.
Position the ZM-1 between the neck and the sound-hole.
At 25 cm distance, the results were quite flexible to work with, however, if you see clipping happening on the VU meter of ZYLIA Studio, reduce the gain on ZYLIA Control Panel or move the ZM-1 further from the sound source.
Record your take and take some time to listen to the results. If you’re happy with the tone of the guitar you may proceed to mixing stage, if not here are some options for you:
- increasing distance of the ZM-1 and the guitar for more room tone and less presence.
- positioning ZM-1 closer to neck, giving you more treble and percussive sounds.
- positioning the ZM-1 closer to the soundhole, provides more lower end and less treble.
- using another channel of the ZM-1 recordings to add brighter tone to the mix.
This last option shows one of the great advantages of recording with the ZM-1, which it will be mentioned next.
Separate the take and Mix your tone.
Using ZYLIA Studio or ZYLIA Studio PRO, you are able to get different tones from your instrument with a single recording due to the multiple channels. It can also be useful if you want to add some reflections from the environment.
After Separating the take, try using the Auto-mix feature. The tone resulting of this feature might surprise you, but if that’s not the case you are always able to mix the tone by controlling the different channel parameters in the MIXER window.
Are you looking for more low end in your tone? Simply adjust the level of the channel correspondent to the microphone closer to the sound-hole of the guitar (In this example Musician 2).
Or perhaps you want more room tone and a wider stereo image of your recording? Increase the levels of the back microphones and apply panning (Musician 4 and 5).
We proudly announce a new release of the ZYLIA ZM-1 Driver for macOS v2.6.0 with full support for macOS 10.15 Catalina.
From now on all of the ZYLIA applications can operate on the latest version of the macOS system.
The ZYLIA ZM-1 microphone has a lot of applications. One of them is the possibility to record your sound scenes and represent them in a binaural way. What does binaural actually mean?
According to Wikipedia,
Since ZYLIA ZM-1 is a 19-channel microphone array, it is possible to simply record 360 sound and convert it to a binaural representation.
It is easy. Just convert the 19-channel audio recorded with ZYLIA ZM-1 to ambisonics, using ZYLIA Ambisonics Converter, then use a binaural decoder VST plugin such as the one from the IEM suite (https://plugins.iem.at/).
From the artist point of view, you are able to present your music scene or performance in a new way, giving your audience a true feeling of being inside your music and experiencing performance in a more natural way. You can play with your listeners, triggering additional emotions by incorporating the binaural way of recording into your music workflow.
From the sound designer point of view, it is a huge field for experiments. Check those simple recordings to experience the movement of sound objects.
It is also the perfect solution for field recordists. You can record immersive 360 scenes and represent them in a binaural way, presenting a vivid experience of being on the spot.
We are happy to announce the new release of ZYLIA Studio v1.10.1. This time we are introducing some bug fixes and small improvements.
We are happy to inform about the new release of the ZYLIA ZM-1 driver for macOS v2.5.0 with ZYLIA Control Panel application.
The new software gives you the possibility to:
ZYLIA Control Panel can now select the specific firmware upgrade patch based on your ZM-1 serial number. This patch includes a unique set of gain coefficients, which are applied to each acoustic sensor of your ZM-1. Thanks to this, it is possible to lower the sensitivity differences among the sensors down to +/- 0.1 dB. This results in higher performance of the sound source separation algorithms applied in ZYLIA Studio and ZYLIA Studio PRO, and higher precision of A2B conversion in ZYLIA Ambisonics Converter.
*Due to changes in the newest macOS 10.14.6 recording does not continued when MacBook lid is closed.
We are happy to announce the new release of ZYLIA Studio v1.10.0. This time we are introducing a few very practical changes.
Download ZYLIA Studio
We are happy to share the ProSound News product review featuring ZYLIA hardware and software.
"Zylia Studio software is surprisingly good and is hands-down the easiest way I’ve encountered to record multiple musicians in a single room."
"Recording with the ZM-1 is an enjoyable process, and the quality is surprisingly good. Tracks are natural and smooth, and the isolation between instruments is impressive."
We are happy to announce the new release of ZYLIA Ambisonics Converter v1.5.1.
We are happy to announce the new release of ZYLIA Studio v1.9.0.
We want you to be well informed about the new releases of ZYLIA software and key news related to features and changes in ZYLIA. That was the reason to introduce a What’s new? window. Every time we release a new software version, you will receive a short notice in the What’s new? window, along with a link to download the newest version.
We are happy to announce the new release of ZYLIA Ambisonics Converter v1.4.0.